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Tribalation: African Revolution by InHaremsWay

Silver Sirens Showcase by Alibelly

Journeys beyond the Casbah Showcase by Gypsy Rhythms

Journeys Beyond the Casbah

رحلات خارج القصبة

Gypsy Rhythms annual showcase extravaganza

A glorious evening of contemporary Middle Eastern, Arabic Folkloric and Tribal Fusion belly dance… This show will dazzle and enthral you swords, veils, fire and some well renowned guest performers.

When: Sunday 16 October

Time: 6:00 for 6:30 (doors close at 6:30 so please arrive timeously)

Where: The Barnyard Theatre Cresta Shopping Centre

Tickets: available via Gypsy Rhythms only – contact us at tickets@gypsyrhythms.co.za or on 0783026551

Cost: R100 – R150 per seat

Cash bar available. Bring your own food, or purchase some delicious Barnyard pizza’s

Please note no tickets available at the door, book now as spaces are limited.

No children under the age of 8.

We look forward to an enchanting evening sharing our love of the dance with you


 

Bozenka and Karim Nagi 2012 by Goddess Divine Productions

Back by Popular Demand in 2012, bookings now open!!!

Workshops in Johannesburg:

Boženka:  2 hrs – R 380 pp, per workshop click here to download the booking form

  • Technique Master Class: An intense master class with complex technique, mechanics of movement, a focus on timing and advanced traveling steps will be covered in this class.  Practicing drills and learning how to articulate moves to maximize visual effect on stage will be discussed as well.  Combined with an intense warm-up and a relaxing cool down, this is the perfect class to get your body in gear. (Advanced)
  • Moving from Head To Toe: This moderately paced class breaks down every basic movement; slides, circles, undulations, figure eights and shimmies to give the beginner student a grasp of the technique necessary for belly dancing.  Not only for beginners; this class is also recommended for those dancers who want to polish their basics or even for those who want to go into teaching. (Beginners – Intermediate)
  • Latin / Arabic Fusion Combinations: Learn how to put your Salsa, Mambo, Cha-Cha and more into your belly dancing.  This moderately paced class will teach you simple and flavorful combinations to incorporate into your own dance routine.  (An Original Latin-Arab Fusion Choreography can be taught in this course if requested and if time allows).  (Intermediate – Advanced)
  • The Boženka Experience: Let yourself be inspired, entertained and challenged in this upbeat master class with Boženka.  Students will learn three beautiful combinations filled with Boženka’s Signature moves that they can apply to their own dance repertoire.  Instruction will be given on immaculate and dynamic hip technique, graceful and fluid upper body posture and stage presence.  Bozenka is known for challenging students while bringing out the best in each dancer at their individual level. (Advanced / Professional)
  • Facial Expression and Body Language by Boženka: This is one of Boženka’s most popular workshops among dancers who are at an advanced or professional level.  This workshop focuses on the interpretation between Dancer and Music as well as the communication between Dancer and Audience.  Boženka uses creative methods to encourage dancers to interpret the feelings caused by the music and to learn to convey that emotion to the audience.  Dancers learn how appropriate body language and using facial expressions take their performance to a higher level.  (Advanced / Professional)

 

Karim Nagi:  2 hrs – R 380 pp, per workshop click here to download the booking form

  • Saidi Tahleeb and Raqs Assaya (can dancing): The southern half of Egypt, known as Upper Egypt due to its higher altitude, is called “Al Said” in Arabic (pronounced iSay-yeed)”.  The Saidi people are famous for this semi-acrobatic stick dance called “Tahteeb” for men and “Raqs Assaya” for women.  It is essentially a form of martial art where the manipulation of the stick and the demeanor of movement replicated a battle scene.  The main motions with the stick include spinning, twirling, rowing, flipping and striking.  Often two dancers will enact a friendly battle with synchronized sparing and co-coordinated strikes.  But the essence of the Saidi dance is in its demeanor.  The body moves heavily and confidently with a subtle pulse.  Grace is more valued than aggression.  This dance is done solo or in groups where the sticks are operated in unison, and men and woman play together.
  • Cymbals (zill compositions): Learn a complete multi sound moving sagat & zill composition. Karim Nagi teaches his 8 sound, ambidextrous finger cymbal system, in the context of a song choreography. Students will learn short compositions that feature the highly melodic cymbals, in a way that will enthrall an audience. The songs can be performed by any number of dancers, and can be referenced to a pre existing recording. The students will move and isolate their bodies to emulate the cymbal-melodic phrases and percussive accents. This complete song can be performed by anyone, as an alternative, and segway, to any style of performance to pre recorded music. The multi sound, sustained note, and bi-dexterous positions, will demonstrate a dancers musicality and percussive dialoguing abilities. These cymbal songs will arrest any audience, as they proclaim that the dancer is also a musician !!!
  • Maqam and Taqsim: Maqam is the Arabic system of scales and melody creation. All songs, weather classical, pop or dance, are created in a Maqam, which dictates whether the song is happy, somber, uplifting, spiritual or sensual. Singing the maqam often helps the dancer feel the emotion created by the distances between each note. We then align notes in the scale with specific body isolations, allowing them to follow a Maqam by using their bodily dance vocabulary. Dancers will learn how to recognize, sing and move to maqams by learning famous song examples. Special attention will be given to Taqsim, the art of instrumental solo improvisation. The dancer will practice interpreting the instrumental music into movement and personifying the mood of the music. This workshop is vital for dancers who wish to better interpret melody into movement.
  • Riqq (Arabic Tambourine): RIQQ RAQS (the tambourine dance) : The dance of the tambourine is a perfect synthesis of rhythm and motion. Students will learn to play famous rhythms, accents, and improvised solo phrases on the riqq. A dozen steps, isolations, and folkloric ritual movement combinations will be added to the playing of the riqq. The dancing drummers will play above the head, rotate, travel, and step with their musical prop. The class will create formations using human patterns, where each dancer moves in opposition, and unison, with the other players. The class culminates in a choreographed ritual, where each dancer delivers a rhythmic riqq solo, as the rest answer in a tambourine chorus. Students must bring Any tambourine that has plastic or animal skin surface and cymbals. We will move to our own live music.
  • Rhythm for Dancers – part 2: It’s time to raise the bar for rhythmic literacy! A dancer’s immediate connection to the music is the rhythm produced by the Tabla and percussion. Karim teaches each rhythm using the three-sound clapping approach. Karim then performs sample rhythms on the Tabla. Students will learn each rhythm by name, “dum-tak” vocalization, and clapping. Afterwards the dancers will learn choreography segments to help gain bodily control with the sample rhythm, putting theory into practice. He presents 7 to 10 rhythms that vary in complexity, and inspire a variety of movements. By physically personifying each Rhythm, bodily mastery of that rhythm will be achieved. The dancer will be able to perform and teach each rhythm with greater accuracy and authenticity. This movement workshop is perfect for any dancer who wants to better understand what they are dancing to.

Workshops in Cape Town:

Boženka:  2 hrs – R 380 pp, per workshop click here to download the booking form

  • Technique Master Class: An intense master class with complex technique, mechanics of movement, a focus on timing and advanced traveling steps will be covered in this class.  Practicing drills and learning how to articulate moves to maximize visual effect on stage will be discussed as well.  Combined with an intense warm-up and a relaxing cool down, this is the perfect class to get your body in gear. (Advanced)
  • Moving from Head To Toe: This moderately paced class breaks down every basic movement; slides, circles, undulations, figure eights and shimmies to give the beginner student a grasp of the technique necessary for belly dancing.  Not only for beginners; this class is also recommended for those dancers who want to polish their basics or even for those who want to go into teaching. (Beginners – Intermediate)
  • Latin / Arabic Fusion Combinations: Learn how to put your Salsa, Mambo, Cha-Cha and more into your belly dancing.  This moderately paced class will teach you simple and flavorful combinations to incorporate into your own dance routine.  (An Original Latin-Arab Fusion Choreography can be taught in this course if requested and if time allows).  (Intermediate – Advanced)
  • The Boženka Experience: Let yourself be inspired, entertained and challenged in this upbeat master class with Boženka.  Students will learn three beautiful combinations filled with Boženka’s Signature moves that they can apply to their own dance repertoire.  Instruction will be given on immaculate and dynamic hip technique, graceful and fluid upper body posture and stage presence.  Boženka is known for challenging students while bringing out the best in each dancer at their individual level. (Advanced / Professional)

Karim Nagi:  2 hrs – R 380 pp, per workshop click here to download the booking form

  • Musicality for Dancers: Despite any mastery of technique and bodily dexterity, true dance expression requires musicality. The best dancers are those who emulate the music into their own movement. Karim will demystify Arab music for the dancer. Several recurring themes in Arab music will be identified (using recorded examples) and explained in emotive, non musical terms. The class will cover Taksim, Melodic Themes, Vocal vs Instrumental Songs, Rhythms & Rhythmic Changes, Melodic Modulation, Song Structure, Orchestration and Instrumentation. Karim will guide the students through several songs and lead them in dancing to each of these themes. This is a movement class that will help the dancer become the physical personification of the music.
  • Sagats: Karim has developed a comprehensive zill method that utilizes drum techniques, and an Ambidextrous approach. He uses the Egyptian Sufi Zikr aesthetic with multiple sounds, open and closed, sizzle and rapid combinations. Karim has crystallized the 8-sound method, and has made it easy and natural to learn. Students will learn the Arabic rhythms by name and how to play them while dancing! They will learn how to use the cymbals to communicate rhythms to a band and accent solo dancing and body movements. Dancers and percussionists of all levels are welcome. He will also teach dance combinations, solo patterns, train the dancer in musicality, and teach when-and-when-not to play within an Arabic song. Karim promises to transform dancers into musicians with his finger cymbal teaching approach.
  • Rhythm for Dancers: It’s time to raise the bar for rhythmic literacy! A dancer’s immediate connection to the music is the rhythm produced by the Tabla and percussion. Karim teaches each rhythm using the three-sound clapping approach. Karim then performs sample rhythms on the Tabla. Students will learn each rhythm by name, “dum-tak” vocalization, and clapping. Afterwards the dancers will learn choreography segments to help gain bodily control with the sample rhythm, putting theory into practice. He presents 7 to 10 rhythms that vary in complexity, and inspire a variety of movements. By physically personifying each Rhythm, bodily mastery of that rhythm will be achieved. The dancer will be able to perform and teach each rhythm with greater accuracy and authenticity. This movement workshop is perfect for any dancer who wants to better understand what they are dancing to.
  • Drum Solo (Dancer Drummer communication): This workshops bridges the gap between the two disciplines. Students will learn how interpret sound into movement by aligning body parts and motions with drum sounds and riffs. Once the movement-to-sound correspondence is established, students will prepare to perform to drum solos. The six-part drum-solo will be explained, theme by theme. Students will then perform to any combination of these 6 major drum solo themes. Students will learn how to both lead and follow the drummer by maintaining the common language. Improvisation skills will be encouraged, and the daunting prospect of dancing to a LIVE drum solo will be demystified. This dance workshop can also be configured to include drummers as well.

Payment plans will be available from June 2011 (3, 6, 8 and 10 months).

For WORKSHOP bookings contact:

Angela Sanders

Belly Dance Goddess

Tel:  082 606 1515

E-mail:  angela@bellydancebabes.co.za

Web:  www.bellydancegoddess.co.za

AND

For PERFORMANCE bookings contact:

Natalie Misplon

Dancing Divinity

Tel:  083 781 2766

Email:  natalie@dancingdivinity.com Web:  www.dancingdivinity.com

 


 

 

Tribalation 2011 by In Harem’s Way

Bellydance as you have never seen it before!

With influences spanning the global urban world- seamlessly blending traditional and modern, conservative and daring, the best of the old with the brightest of the new- come explore the innovative new face of an ancient artform.

Rock meets Raqs in the hands of some of South Africa’s most talented practitioners of this innovitive, daring branch of the dance family.

Book today! Don’t miss this unique opportunity.

The Tribalation showcase aims to highlight the best of Tribal fusion, ATS and Gothic belly dance in South Africa in a nurturing community environment.

 

Date & Time: Saturday, July 30 · 7:00pm – 10:00pm
Location: Wits Ampitheatre, 24 Station Str, JHB
Tickets R 90 for adults and R60 for seniors.


 

HAFLA and Mid Winter Belly Dance Showcase by Tribal Angels

Price per person: R100.00

Venue: RIVER DECK Country Estate

35 Peter Road,
Honeydew, 2040 – Gauteng

GPS Co-ordinates:

-26.078043            27.880839

To secure your booking email Heather at tribalangelsevents@live.co.za

 

 

Yasmina of Cairo and Ahmed Belly Dance Showcase by Maya Dance

The Belly Dancing Association of South Africa Proudly Presents a belly dance performance showcase featuring Yasmina of Cairo and Egyptian singer Ahmed.

Cairo to Cuba Season 2 | Extravi-Dance | An Extravagant Dance Showcase

An Extravagant Dance showcase bringing you an up-beat, smooth-flowing, enticing and unique collaboration of various forms of dance. Featuring the best in Belly Dancing, Latin Dancing, Greek, Hip-Hop, and more…

Venue: Cantare Supper Club, Montecasino

Season2 showing Wednesdays in June
08 / 22 / 29 June 2011
7 for 7:30pm

Ticket price: R120 (Excludes meals and drinks)

Bookings

Tarryn – 083 691 6760
Sam – 082 095 6595

Also, contact info@samoka.co.za for further infomation

Featuring Tarryn Rego 🙂

Belly Dance Festival in Marrakech, Morocco

The Mediterranean Delight Festival invites you to enjoy a Belly Dance Festival in Marrakech, Morocco.

Enjoy the Cultural Heritage of the Ancient Tribes

Take an unusual journey through the history of Morocco with the diversity of  each population and its influence on Moroccan culture.

The “Mediterranean Delight Festival” will take the spotlight on June 7th-13th, 2011,

at the amazing city of Marrakech, Morocco.

Teachers from all over the world will thrill the participants

during 6 days of Moroccan fantasy.

Experience the best master class teachers workshops
Belly dance competition – “The Star of the Orient”
Gala night with the best dancers around the globe
Spotlight stage performance

Artistic shows
Welcome to the Moroccan culture – A nightly show in “Fantasia”
2 days of tours – exposure to the real ancient Morocco
Nightly shows and dance parties
Live authentic music
And many more surprises…

Festival participation package includes:

– 6 nights accommodation at a 5 stars hotel,

Half board hosting (breakfast and dinner every day)

– Transportation (from and to the airport)

– All workshops participation

– All nightly performances

Well come dinner party

– 2 days of tours:

A day of experiencing life in an authentic Berber village
A day tour in Marrakech with closing dinner, show and party in “Fantasia”.

For booking information and to find out more, contact : Charlotte Blignaut  –  charlotte@bellydance.co.za –  cell  +27 83 263 2913

Belly Dancing : A Privilege

I had the privilege to perform and share the stage with some fantastic dancers this past Friday evening at the Samantha Emanuel Tribal Fusion Showcase held at the Promusica Theatre. It is always so inspiring to see, let alone be part of a relatively small dancing community with such passion for this dance form. What is even more exciting is how each individual dancer takes a piece of music and makes it their own. Every dancer seems to interpret their music differently and can truly express themselves accordingly. By watching each and every dancer it is evident that you can take something good from each performance and there is always so much to learn, not one dancer is the same – and I believe this is the BEST part of it!

Although what I am about to write has not at all anything to do with belly dance it is something that I have pondered about all weekend. It so happens that I had to deliver a package to the MDF on Friday. I agreed to do this before I had to be at the theatre for the show on Fri. eve. Due to poor time management, I ended up going to the theatre first and decided to deliver the package either before the show started or during the break. Long story short I quickly disappeared before the show was to start, to deliver this package (it happened to be just around the corner from the theatre). I met up with a man: Pieter Joubert, the Vice-Chairman of the MDF – Gauteng Branch. What an unbelievably well-spoken man, but a man in a wheelchair.

We got chatting and he asked me why I was all dressed up and what the showcase was all about, I gave him a quick brief and hopped in my little car to get back to the theatre. As I drove off I looked in my review mirror and I had to ‘sluk’ down the tears. Why? Not out of pity or shame, but because here I am in the prime of my life, I am healthy – I can walk, I can run and above all, I can dance!!! On Fri. evening I met with a man who is one of many people suffering from muscular dystrophy disease that has never danced and most likely will never know what it feels like to dance. It broke my heart……

At the same time, I suddenly realised how blessed I am to be able to dance and express myself through this special dance form and the music. This surreal experience has made me want to support this foundation through dancing. I have come to the decision that a portion of the funds I earn through my dancing will be given to the MDF – Gauteng, to help them raise funds to support those who desperately need it and to find a cure for this debilitating disease.

I would also like to announce that I will be planning a fund raise charity dance show to raise funds for the MDF and urge everyone in the dance industry to come together to help me organise this.

Please mail me if you would like to participate and help me with this.

Looking forward to your inputs. Happy dancing everyone!